死刑犯女人的船

导演：拉法洛·马塔拉佐 

主演：克里玛,梅·布丽特,埃托雷·曼尼,Tania,Weber,Gualtiero,Tumiati,Olga,Solbelli,Luigi,Tosi,伊格纳齐奥·巴尔萨莫,Anna,Arena,Giorgio,Capecchi,阿蒂利奥·罗戴德约,马切拉·罗韦纳,Romolo,Costa,Fedele,Gentile,Elvi,Lissiak,乔瓦娜·拉利,Maria,Dominiani,Augusto,Di,Giovanni,爱德华多·钱内利,Flo,Sandon's,Bianca,Maria,Fa

类型：剧情片地区：其它年份：1954

简介：18世纪，一群被逐出境的女人乘坐一艘从西班牙前往美国的船。在未分级的版本里，有着女同志的投射……

八座山

导演：菲力斯·范·古宁根,夏洛特·冯黛梅尔许 

主演：卢卡·马里内利,亚历桑德罗·博尔吉,Lupo,Barbiero,Cristiano,Sassella,Elisabetta,Mazzullo,Andrea,Palma,Surakshya,Panta,埃琳娜·莱蒂,菲利波·蒂米,Elisa,Zanotto,Chiara,Jorrioz,Fiammetta,Olivieri,Gualtiero,Burzi,Adriano,Favre,Francesco,Palombelli

类型：剧情片地区：意大利,比利时,法国,英国年份：2022

简介：

八座山讲述了一段友情的故事。孩子成长为男人，他们在这一过程中试图不重复父亲的命运，但他们选择的人生道路却最终把他们带回了各自的家园。彼得罗是一个城里的孩子，而布鲁诺则是一座被遗忘的山中小村的最后一个孩子。随着时光的流逝，布鲁诺依然忠于大山，而彼得罗则回来又离开。各自的经历都让他们品尝到爱与失去，带他们回忆各自的起源，看命运的画卷徐徐展开。彼得罗和布鲁诺也最终发现了永恒友谊的真谛。

尤利西斯

导演：马里奥·卡梅里尼 

主演：柯克·道格拉斯,西尔瓦娜·曼加诺,安东尼·奎恩,罗桑娜·珀德斯塔,雅克·迪梅尼,丹尼尔·伊韦内尔,Sylvie,弗朗科·英特朗吉,埃琳·娜扎雷斯基,伊弗莉娜·马尔塔亚蒂,Ludmilla,Dudarova,Tania,Weber,皮耶罗·卢利,Ferruccio,Stagni,亚历山德罗·费尔森,奥斯卡·安德里亚尼,翁贝托·西尔维斯特里,Gualtiero,Tumiati,特里萨佩拉蒂,Mario,Feliciani,Michele,Riccardini,安德烈·奥雷尼,Andrea,Bosic,Walt

类型：剧情片地区：意大利年份：1954

简介：

《霸王艳后》是露珊娜波狄斯坦演的另一部改编自荷马史诗（Odyssey）的视频。施云娜曼简诺一人饰两角，尤利西斯（Ulysses）的妻子（Penelope）和女巫（Circe）。

乔治中尉[电影解说]

导演：Raffaello,Matarazzo 

主演：Massimo,Girotti,Milly,Vitale,Gualtiero,Tumiati,Paul,Muller,Teresa,Franchini,Rita,Livesi,Ludmilla,Dudarova,Achille,Millo,Nino,Pavese,Franca,Gretel,Eduardo,Ciannelli

类型：电影解说地区：其它年份：1952

简介：……

尤利西斯[电影解说]

导演：马里奥·卡梅里尼 

主演：柯克·道格拉斯,西尔瓦娜·曼加诺,安东尼·奎恩,罗桑娜·珀德斯塔,雅克·迪梅尼,丹尼尔·伊韦内尔,Sylvie,弗朗科·英特朗吉,埃琳·娜扎雷斯基,伊弗莉娜·马尔塔亚蒂,Ludmilla,Dudarova,Tania,Weber,皮耶罗·卢利,Ferruccio,Stagni,亚历山德罗·费尔森,奥斯卡·安德里亚尼,翁贝托·西尔维斯特里,Gualtiero,Tumiati,特里萨佩拉蒂,Mario,Feliciani,Michele,Riccardini,安德烈·奥雷尼,Andrea,Bosic,Walt

类型：电影解说地区：其它年份：1954

简介：《霸王艳后》是露珊娜波狄斯坦演的另一部改编自荷马史诗（Odyssey）的视频。施云娜曼简诺一人饰两角，尤利西斯（Ulysses）的妻子（Penelope）和女巫（Circe）。……

马隆布拉[电影解说]

导演：Mario,Soldati 

主演：Isa,Miranda,Andrea,Checchi,Irasema,Dilián,Gualtiero,Tumiati,Nino,Crisman,Enzo,Biliotti,Ada,Dondini,Giacinto,Molteni,Corrado,Racca,Luigi,Pavese,Nando,Tamberlani,Doretta,Sestan,Paolo,Bonecchi,Elvira,Bonecchi,Giovanni,Barrella

类型：电影解说地区：其它年份：1942

简介：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!……